Writers need writerly friends and mentors to grow their work. With the May workshop successfully launched, Jo will teach the next memoir writing workshop in July, again in partnership with local Hearts and Minds Art Gallery in Noosa and Tewantin at the Marina. The second of our “Hearts & Minds Writing Workshops” will be “Writing Your Memoir – 1” in JULY. Space is limited to 10. For more information on the workshop and our July class, click here! Write on!
What students are saying: “Step out of your comfort zone and take educated advice. This is a safe and welcoming environment to tell your story.”—Chris, student
“Excellent opportunity to learn more about writing.”—Joanna, student
“This workshop was an absolute joy and allowed me the luxury of opening up to begin something I would have never thought I could do.”—Carolyne, student
Make 2016 the year you finally:
- start writing that memoir;
- finish that novel;
- revisit that screenplay!
Jo is now offering:
Individual or group writing instruction, editorial coaching, and story consultation for writers at all stages. Online or locally (as in Noosa, Australia). Find out more about her reasonable rates and professional support. Make it a creative resolution to keep!
The incredible championship of the U.S.A. Women’s Soccer Team at the June 2015 FIFA World Cup confirmed the sport’s popularity and the growing impact of women athletes as role models. Now comes a novel that continues the celebration of both: WHEN GIRLS BECAME LIONS.
Co-authored by Valerie J. Gin and Jo Kadlecek, both former college athletes and coaches, WHEN GIRLS BECAME LIONS is a tale of two teams, Title IX and the women who became champions—and friends—in the process. It is a unique literary contribution to both women’s fiction and the ordinarily male-dominated sports genre as it celebrates women’s friendships against the backdrop of sport history. Now available in print and e-book through any independent, chain or online book seller.
Watch the book trailer!
Storytelling is a process of discovery, for you and the subject matter. Here are four essential exercises for helping you identify stories that you are uniquely wired to tell:
1. “Art is a corner of nature seen through a temperament,” says Michael Rabiger in his book, “Directing the Documentary.” Artists as story tellers, must pay attention to themselves first, what moves them and motivates them for good or ill. Continue reading
Whether it’s a novel or a tweet, a script or an op ed, all writing deserves our best thinking and words. All the time. Sure, it’s hard work. But the pay off of catching—and keeping— readers is worth it. Here are 4 writing clues to make your writing as compelling as it can be: Continue reading
Chris’s documentary subtitled, Why India celebrates Bartholomaeus Ziegenbalg, was featured at the launch of a new museum in Tharangambadi, in the state of Tamil Nadu on Friday, August 14, 2015. The Consul Generals of Germany and Denmark joined Indian leaders at the event to mark the beginning of a collaborative project, which preserves the revered 150 year legacy of the Halle-Danish mission Ziegenbalg began in 1706.
The Francke Foundation from Halle in Germany initiated the event and screening with the intention of returning to India many of the historic records and artifacts pertaining to the history of Tamil life and culture that have been in the foundation’s archives for more than 300 years. Continue reading
Straight from Jo’s bookshelf, here are some time-tested pieces of advice (in no particular order) from great writers on the writing process, and why we should approach it with care:
•”If you don’t think cheaply, then there at least won’t be the quality of cheapness in your writing . . . Any discipline can help your writing: logic, mathematics, theology and of course and particularly drawing. Anything that helps you to see, anything that makes you look. The writer should never be ashamed of staring. There is nothing that doesn’t require his attention.”—Flannery O’Connor, “The Nature and Aim of Fiction” in Mystery and Manners Continue reading
With so many helpful lists out there, LampPost Media wanted to contribute one of its own for anyone interested in telling spectacularly bad stories:
1. KEEP IT RANDOM: Create a super complicated plot with lots of characters and conflicts, settings and dialogues so no one knows what’s going on. Or better yet, have no plot at all. If you can’t answer the question, “What’s your story?” in one simple sentence, you’re on your way to a truly terrible one. Congratulations.
2. LET IT GO: Forget about a plan or a structure or an outline of any sort. Telling a story is so easy, whether in print or on camera, it just happens organically anyway. No need to think it through. Continue reading
On a trip last week to Sydney we took in the Caryl Churchill play “Love and Information” at the Sydney Theatre Company. Seven fine actors played 100 characters in almost 70 vignettes during the 105 minute performance. And the issue the playwright, director and actors explored? How we relate to one another and process life in an age flooding us with information, distracting our attentions, but providing very little meaning. Good art critiques culture, and helps us rise to the precious elements of life despite the gravitational pull into the meaningless. Continue reading
Out of its 96 authors, Upper Room Books has featured Jo Kadlecek, author of Woman Overboard: How Passion Saved My Life, this month on its website. Though Jo’s book was published in the fall of 2009, editors at Fresh Air Books, an imprint of Upper Rooms, wanted to highlight a few of its back list authors and their works. Usually, the spot is reserved for new works but Woman Overboard struck a chord in the editorial team.
The featured piece also includes a guest blog post that Jo wrote on transitioning to Australia (hence the swimming pool!): When Passion Makes a Move. We hope you’ll take a look and spread the word about a memoir we think will speak to your own journey of passionate pursuits.